Bow Arts Open Show 2012

ImageI am pleased to announce my drawings have been selected for the Bow Arts Open Show 2012. The exhibition is curated by Bob and Roberta Smith (Artist), Skye Sherwin (Arts writer, Guardian), Emilie Faure (White Cube) and Rosamond Murdoch (The Nunnery).

Speaking about the selection, Bob & Roberta Smith said, “This is a celebration of the diverse and distinctive voices we heard as we visited some of the 400 artist studios in Bow Arts. We selected 74 artists to take part to represent the ideology of Bow Arts which is about opening up opportunities for artists.”

Details:
Date: Friday, June 29, 2012 to Saturday, July 14, 2012
Private View: Friday, June 29, 2012 – 18:00
Opening Hours: Friday 6 – 10pm, Saturday & Sunday 12 – 6pm
Address: Bermondsey Project Space, Unit 7, Rich Industrial Estate, Willow Walk, SE1 5SF.

www.bowarts.org

New website

Ok, I have bitten the bullet. After four years of stubbornness I have finally paid for my own website.

My logic was that, with all these free services like Twitter, Facebook and Pinterest allowing me to connect with new and interesting audiences, what was the point in shelling out my hard earned cash for my own website?

The answer lay with OtherPeoplesPixels – a business owned by two Chicago-based artists, Jenny Kendler and Brian Kirkbride. Their slogan is “Spend time on your artwork, not on your website”, which is something I always tell artists at my digital networking workshops. An online presence is now an integral part of being an artist, but it shouldn’t become more time consuming than actually making your artwork. That’s why I love tweeting so much. It takes seconds to do and is a fun activity whilst taking a five minute coffee break from drawing at my studio.

OtherPeoplesPixels offers a number of templates, ranging from minimalistic to the bright and brash. I opted for a simple design with no clutter or distractions, presenting my work in a clear and accessible way. I created 5 simple categories: Portfolio, News, Contact, Links and Resume. It is very direct and easy to understand, with a short artist statement on the homepage explaining the context of my drawings.

Through my work as an editor for a-n I come across too many artist websites that are so packed with information you almost need GPS to navigate the various sections. I never understand why certain artists make it so difficult to a) See their work, b) Find out what their art is about, and c) Contact them. Hopefully these are things I have avoided…

I have been really impressed with OtherPeoplesPixels customer service, in particular the speed with which the site went live (around 30 minutes after payment). I read an interview with Jenny where she discussed her commitment to supporting the arts community, and that is definitely reassuring. At the end of 2010, they started The OtherPeoplesPixels Fund which provides grants to non-profits working for the arts, the environment, and social justice around the world. They also apparently do a lot for their local art scene in Chicago. Not bad eh?

I’m really pleased with the results. Check out my site and let me know what you think:

www.jackjhutchinson.com

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Latest drawings for sale

My latest series of drawings are now available for purchase. Gallery and price list here »

P&P will be additional and invoiced separately. Framing is included in the purchase cost.

My drawings address notions of time, space and human existence. Constructed from thousands of tiny marks, references are made to micro and macro exploration. From far distant islands and universes not yet known, to the inner workings of the human body, the drawings demand slow, meditative engagement. Envisaging the viewer as intrepid explorer, gaps are mentally filled as a personal dot-to-dot takes place. What is the meaning of our existence? Sometimes the answer lies closer to home.

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Guide to artists’ studios

I’m really pleased to see my guide to artists’ studios has been published by Creative Choices, a website developed by Creative and Cultural Skills. They are funded by the Cultural Leadership Programme, a Government-funded investment in excellence in leadership across the creative and cultural sectors. The website is jam-packed full of useful tips for culture professionals and I hope my advice, which was produced in partnership with Bow Arts Trust, will help artists find the right space to work.

Here is a checklist of questions to ask yourself when establishing the right studio for you:

  • Do you prefer working alone or with other people?
  • Can you work from home?
  • What type of art do you make?
  • Would you like to work where you can also exhibit?
  • How much can you realistically afford to spend?
  • Have you researched the studio?
  • What do other people say?
  • Is the landlord flexible about when rent is due?
  • Can you sublet the space?

To read the full article click here »

Skype étiquette

As a freelance artist, journalist and educator I conduct the majority of my meetings remotely. Although I use a range of different methods of communication, the most common tool I use is Skype. A voice-over-Internet Protocol service and software application originally created by Niklas Zennström, Skype is free to download. With over 660 million users worldwide, it is an incredibly popular method of communicating with peers via voice, video, and instant messaging over the Internet.

Here are my 10 useful tips for artists and freelancers using Skype:

  1. Skype profile – Make sure any information included in this (your image, location, status etc.) is appropriate for your business.
  2. Send a message first – It is polite to ask if someone is free to chat before starting a call. Quite often people forget to alter their status to ‘away’, ‘do not disturb’ or ‘offline’. A quick message is less disruptive than calling them.
  3. Check before making a video call – Although video calls can enhance the sociability of a call, not everyone is a fan. Some people can find it a bit off-putting and prefer audio calls. If you plan on making a video call, make it clear beforehand. Otherwise you might get a nasty view of someone still in their pyjamas!
  4. Keep it orderly – When in group conferences, designate somebody to chair the meeting. There is nothing worse than 3 or 4 people talking over one another trying to get their point across. Take it in turns and make sure everyone’s voice is heard.
  5. Stick to your aims and objectives – Create an agenda and try not to deviate from it. Ask yourself: are we really here to talk about what we each had for tea last night?
  6. Be time efficient – Assess what is the best method of communication. A query such as “What time does the event start on Wednesday” can probably be answered quickly using Skype’s Instant Message (or your own research!) rather than having a full-blown Skype call. Also, if you have agreed to Skype for one hour, stick to this time scale.
  7. Dodgy internet connections – As much as we would like to claim that digital networks are efficient, how many times have you encountered a sudden drop in internet connection? If your Skype call gets cut off, simply re-dial and try again. If problems persist, consider re-scheduling. Also, do not assume someone is being rude if they suddenly hang up. Chances are the connection simply failed.
  8. Multitasking – Skype is great at allowing you to perform a multitude of tasks at the same time as calling. However, be aware that most laptop microphones are quite sensitive. Common disruptive sounds include: typing, breathing heavily and slurping drinks. People may not be able to see you but they sure can hear you!
  9. Use headphones – Skype sometimes struggles with noise loops (when noise from your computer’s speakers gets picked up by its microphone). An easy way of avoiding feedback is by plugging in a pair of headphones.
  10. Cross promotion – Include your Skype address on your blog, Twitter feed and email. Make it as easy as possible for people to contact you. Remember – there might be paid work at the end of it!

Article featured on Guardian Culture Professionals

My article ‘Artists are their own agents of change’ has been published on Guardian Culture Professionals. In it I address the themes of two of the key events on the visual arts calendar – Arts Council England’s State of the Arts at the Lowry, Salford, aimed at senior arts professionals, and OpenAIR at Firstsite, Colchester, aimed at visual artists.

I suggest that in order for artists to start ‘shaping the world’ they need to ‘effect change’ closer to home. I believe there needs to be a fundamental change in the perceived value of artists to society, but this needs to come from within the sector itself. It means addressing issues such as late payments, unpaid internships, copyright infringements, unlawful evictions, and failure to comply with the basic terms and conditions of a contract.

How can wider society raise the value of artists if the arts sector continues to devalue them? Too many artists I know continue to be exploited by the very people who should have their backs – this needs to change.

To read the entire article click here »

Read my report from OpenAIR here »

Guardian Live Chat: redundancy in the arts

“You could argue that artists are almost in a constant state of ‘redundancy’, repetitiously moving from one project to the next in search of new income strands…”

Today I was on the panel for the Guardian Culture Professional’s live chat on redundancy in the arts. We examined both sides: those made redundant (how to take the news and what to do after) and those making them (the correct processes and how to adjust to a loss of staff). Also on the panel were:

Follow our advice here